Tidal lufs reddit. So aiming for -14 lufs is not really what you want to do.

Tidal lufs reddit Second, don't master to target values and especially not -14 LUFS since that is pretty quiet for most genres. 9 LUFS (Int) , 0. But that doesn't mean you should use it as a target when mastering. Integrated loudness: -15. interestingly, the issues are very different from be smart, dont "feel it out" or some shit. 8db) so on paper looking at the Integrated Loudness it's not that bad, but then looking at the waveforms Now and Then is just a block from 50 seconds onwards Reddit's Loudest and Most In-Tune Community of Bassists Electric, acoustic, upright, and otherwise. If you use analog volume control, you may want to disable it to get the best theoretical quality. I see so many “Don’t target 14 LUFS”. 20 votes, 43 comments. And, a -10. 1dB True Peak 128 mbps = -12. Join us on discord: bit. So yes, while its true what you say when you add gain based on LUFS and not looking at peak, it doesn't count in Spotify's case (and neither Tidal). Two songs can be at the same LUFS value and still one can sound louder because of its “perceived loudness”. And more volume usually sounds better, so your song will appear like it sounds worse when listened along others. Tidal is a music streaming service. Tidal normalizes audio to an integrated -14 LUFS but can be set to quieter -18 LUFS TIDAL are using LUFS, and have released clear information about their chosen playback levels. Most releases in those genres are typically -8 or louder for streaming. from there you have enough headroom to keep everything in place, and then you can Tracks from Tidal are substantially hotter! The YTM tracks sounded looser and at a noticeably lower level. Plus Now using Spotify, on a 3 month free trial (premium quality) side by side. I have never got a definitive answer with this question, what is the target LUFS when mastering your track for SoundCloud, I know they prefer -1dbtp Skip to main content. This is of course why we should run our project through something like Normalization can turned off-on in settings of your Tidal account. Lose Myself TIDAL is an artist-first, fan-centered music streaming platform that delivers over 110 million songs in HiFi sound quality to the global music community. Because they DONT use lufs. How will spotify affect my track when they alter it to -14 db? Get the Reddit app Scan this QR code to download the app now. 4 LUFS, rec. r/goth. Link in post text. There are some specific albums, Tidal does sound better, and when I dig into it, it's because they have a specific remaster of a specific year that is mastered better (typically, with less dynamic compression) than Spotify. The integrated LUFS should be the result, not the goal. Please use our Discord server instead of supporting a company that acts against its users and unpaid moderators. Join and Discuss evolving technology, new entrants, charging infrastructure TIDAL's approach to this challenge was refreshingly simple - they asked an expert to research the best solution. A track at -14 LUFS and one at -6 LUFS are both mastered to peak at -0. flac -9. com, you can drag and drop your tracks into the site and they’ll instantly show you how well your track holds up and if Don't worry about it if you are making some kind of pop or EDM. for context most websites are -14 lufs, Spotify has 2 different modes, for the normal mode it will work for up to 7. -14LUFS for Spotify, -16LUFS for all major other pod platforms. 5 LUFS Loudness range: 10. Tidal tends to play it on the safer side. Regardless of the end user's loudness normalization when you upload a master to spotify, any difference from the -14 LUFS center that they want will result in a change in loudness from a generic compressor they will run it through. Or check it out in the app stores &nbsp; &nbsp; TOPICS Tidal is a 100% community-driven subreddit. Or check it out in the app stores &nbsp; &nbsp; TOPICS Give your -14 lufs track to a DJ and watch him drop it in a set. 9 dB reduction in Amazon (probably within the Tidal is a 100% community-driven subreddit. Tidal insisted, so Neil walked. I also dislike the fact that Tidal is co-owned by rich mainstream artists. -14 LUFS means the mix will be louder, but it will also have less dynamic range. Im no audiophile, but i could notice right away when i put on a track that it was significantly better. We like to discuss everything r/AppleMusic is the place to discuss Apple Music on Reddit! IIRC YTM (and Spotify) wants music to be mastered at around -14 LUFS. Tidal and Amazon Music both offer high-resolution streaming options, such as Tidal HiFi and Amazon Music HD, which provide superior sound quality compared to standard streaming services. Members Online All that happens is their music sounds better on playback systems which have loudness normalization. -SoundCloud: -11 LUFS -iTunes: -16 LUFS I haven't looked into tiktok but if you leave -12 LUFS it will probably sound nice anyway. Spotify DOES NOT use lufs but suggests we the artist use it as a baseline. Basically, if your track isn't at least -14 LUFS integrated, this service will apply compression and limiting to bring it up to that loudness. * Dialog / Dialogue Editing * ADR * Sound Effects / SFX * Foley * Ambience / Backgrounds * Music for picture / Soundtracks / Score * Sound Design * Re-Recording / Mix * Layback * and more Audio-Post Audio Post Editors Sync Sound Pro Tools Tidal is the only one that uses LUFS, so using a LUFS meter to try to match the loudness targets of most of the services is guesswork. 96k = -13. I'm looking for confirmation on this claim -- but it might help Juneteenth Fundraiser: On Monday, June 19th, from midnight to midnight Pacific Time, Bandcamp will hold the fourth annual Juneteenth fundraiser, where they will donate 100% of their share of sales to the NAACP Legal Defense Fund, a Tidal is the only one that uses LUFS, so using a LUFS meter to try to match the loudness targets of most of the services is guesswork. 1dB True Peak 256 mbps = -12. How we adjust loudness. If you release the OST as an album and the other tracks are significantly quieter than this one, they will also be reduced by 6. don't worry too much about it, trust your ears and your mix. Get app Get the Reddit app Log In Log in to Reddit. 3 LUFS, rec. For me personally "loud enough" (specifically for music for listening on streaming and CD) usually ends up being something above -18 LUFS-I and maxing out at -14 LUFS-I. Sound Hi, mastering engineer here. 09. It's a static gain offset, that is, the gain is simply turned down, no other processing. This is of course why we should run our project through something like Integrated LUFS is defined as LUFS where time = the whole song duration, so there's no confusion in here either. The silent mode is labeled as "preserves the dynamic range" because at -21 LUFS any boost should be very, very rare, so the DRC almost never kicks in. If it was 'just' a matter of too hot a signal, it would seemingly follow that engaging the 'normalization' option (which lowers the signal level to a predetermined average LUFS level but keeps a track's internal dynamics intact and in proportion) IMHO it’s the sum of several things. I like to have a "normalized" playback in some situations: when I'm listening passively to playlists and/or for "safety" (car, gym, background music doing other things, earplugs). so i searched for another country, brasil family hifi plan 50 reais is around10euro, was able to use paypal successfully, at least for the trial now as using a That is the best way to get a loud enough track with preserved dynamics. I was checking it some time ago but still the abnormal compression of files the way they ware trying to maximize certain things in the mixes it looked like an algorithm was looking for a melody in a track and than they ware sort of isolating it and maximizing it to So if a track is calculated at -14 LUFS it means that the processor listened to the entire track and the average came out to be -14 LUFS. The problem is that if your mix is -20 LUFS, it will not be amplified, and it will sound noticeably quieter than other songs. 3 LUFS (peaking at 0db) Now and Then is -9. what you want is measruing with ebu (lufs) to get the real loudness (measuring peaks over a standardizes time window taking frequency balance into account) Tidal is a 100% community-driven subreddit. Turned that shit off and I swear it's just that bit better I wanted. Valheim; Genshin Impact (the man behind EBU-R128), Tidal now use -14 LUFS on the phone and -18 LUFS when connected to something like AirPlay, so -16 LUFS would “fit” into that platform with room to spare. Only album that is shown as Dolby Atmos is Yours Truly. You Tidal apparently doesn't boost anything, as per Eeelco Grimm's recommendation, so I think that is the only difference. When I analyzed the results, there was a 4. 5 integrated lufs and my left side is -13 lufs. For most music on Spotify, enabling normalization will just the volume down, causing zero or almost zero quality loss but for quietly mastered music (like classical music, and probably some jazz, acoustic, and ambient music as well), normalization will raise its volume and add compression/limiting to compensate, which degrades your sound in a major way. While I totally agree on the fact that there is a lot of misconception circulating on the internet about this, and I also totally agree on the fact that a song should be mastered at whatever level and dynamics make it Get the Reddit app Scan this QR code to download the app now. Open menu Open navigation Go to Reddit Home. So aiming for -14 lufs is not really what you want to do. Your -11. (tidal -18, some have none like soundcloud) -14 is not a standard, tomorrow spotify can decide to change it. I think it'd be pretty hard to accidentally make a file average more than -14 to where Spotify would turn it down, but you're absolutely correct; step 1 is to measure the file and see what LUFS it's at. That is spotify telling us what WE should target not how their system regulates loudness units. 2 LUFS (the first minute of the track is quieter than the average of the complete track, which is 14 LUFS) Loudness range: 11. If you listen to full albums, it doesn't matter, but maybe you should also turn the normalization off. For example, if the metering tool only listened to the loud chorus part of a song, the LUFS might 8 LUFS is for boring people who want dynamics 6 LUFS is for most techno 5 LUFS is for the kind of techno that makes you bleed out of your ears 4 LUFS is for the kind of techno that makes you bleed out of your anus as well Therefore <4 LUFS is what you should be aiming for. Internet Culture (Viral) Tidal is a 100% community-driven subreddit. LUFS is also a live broadcasting standard and not a production standard so don't worry too much about it. However, when I decided to upgrade to better audio from iTunes, I tried out Amazon HD, Deezer, Qobuz and Tidal, using HD600 headphones and a Zen DAC V2 headphone amp, and after listening to many tracks on all platforms during the free trials, almost every time I preferred the sound on Tidal, even in Hifi mode, MQA disabled. Spotify and their Release radar and Discover weekly are much better than Tidal's mix. Or check it out in the app stores &nbsp; Different songs, music genres and engineers use different loudness and dynamic settings. As a veteran of the loudness wars, I can say 14 LUFS standard is wonderful. Community resources, and extensive FAQ for players new and old. true. it works with the album average being normalized to -14, instead of the loudest track on the album That (point 2) is the According to SageAudio, Tidal does not boost the sound, it only reduces it if too loud. r/musicproduction. If your music is below the LUFS threshold it will be left alone. 7 LU! When using tidal-dl GUI I notice there is a drop dropdown (see bottom of screenshots) where you choose "normal, high, Hifi or master. 3 LU True peak max: -1. Kind of a difficult question to answer, people tend to approach achieving loudness differently and mastering is quite a deep topic. of all subgenres and all skill levels. So quite a spread. It just lowers it to - 14 LUFS Reply reply GiamMoon r/AppleMusic is the place to discuss Apple Music on Reddit! Members Online. Members Online • AngelBritney94. The original pcm track is no longer there. 88 dB reduction overall in the track on Tidal and a 4. Spotify isn't afraid to throw at you indie artist with 2 000 fans. Spotify is normalising audio to around -14 LUFS so if anything it will turn your track DOWN if you master to say -10 (-10 is louder than -14). The Reddit Home for Metallica! Please be sure to review the rules before posting. We are not LUFS. the sweet spot is right between 14 to 12 LUFS with peaks @ -. So, a - 15 LUFS track will be left alone. spotify. The compressed bus sound is part of modern hip hop, and so while it's "technically worse", it's necessary if you want to capture the sound of what hip hop sounds like right now. flac -17. Reddit's hub for metal musicians, engineers, producers, etc. And that's because most labels want their tracks mastered around -9 \ -8 lufs. And again, they weren't made for music but for TV broadcasts (so that the people making commercials The streaming service Spotify for example, specifies the number -14 dB LUFS as an ideal loudness value. I won't explain what LUFS are, there's plenty of YouTube videos on that, but essentially LUFS are a measure of loudness. Each streaming service will process your track to a specific LUFS level (-14 LUFS for most, including Soundcloud if Additionally, putting the gain up too much causes really bad distortion since you’re technically redlining the track. Top Tracks. The Tidal tracks sound almost compressed and normalized which should not be the case as I was playing the 16/44. This means if our song is louder than -14 dB LUFS, it will be automatically reduced in Find out if [and how much] your music will be turned down by YouTube, Spotify, TIDAL, Pandora and Apple Sound Check. none. Some genres needs more compression as part of the style. Products, practices, and stories about the profession or hobby of recording, editing, and Tidal is a 100% community-driven subreddit. It must be added that the -14 LUFS for TIDAL (and the -14 LUFS target in general) is a "no louder than this" value and not specifically their target loudness overall because with album normalization only the loudest track in an album Songs are not mastered to the same LUFS even on the same album so may differe in perceived loudness So turn it on if you don't want to deal with swings on SPL Tidal is a 100% community-driven subreddit. 1 LUFS (Int) , -0. Not anything to worry about IMO. Tidal is a 100% community-driven subreddit. r/soundcloud A chip A close button. Again, only tidal uses lufs currently. Tidal has two tiers hifi plus = mqa hifi = pcm When you play a track marked "master" in Tidal, and you are subscribed to their hifi (pcm) tier they process the mqa on the fly : I know about LUFS and I know -14 LUFS is not a target and a master should aim to be around -7 depending on the genre) Tidal is a 100% community-driven subreddit. This is why your -14 lufs track may be more quiet than other artists track on spotify. Personally my masters end up between -15 and -10 LUFS most of the time, unless I'm working on unusual material or when the client demands having their songs crushed to Youtube wants -14 LUFs (meaning the average volume dances around there). 9/-14 for your LUFS. Edit: I managed to fix it by turning down the low end, and adjusting the attack and release on my compressor. 9 LU True peak max: 0. I master my Beatport tracks to -8 or 9- LUFS 0dB TP. loudnesspenalty. Now let me give some examples, for a scenario where the platform asks for WAV file, 16 bit, 44. We adjust tracks to -14 dB LUFS, according to the ITU 1770 There’s a free plugin called Youlean LUFS meter that’s pretty good for measuring in Lufs you should check out and to make sure you’re within guidelines of the places you’re posting check out the site loudnesspenalty. Watch the crowd wonder why the fuck this track is so quiet. Not necessarily better or worse but the hotter/tighter Tidal tracks allow me to play the stereo at a lower level. Neil tried to compromise and say you can keep my music on here, but since you can't adequately explain to me what I Tidal Master is, just don't call it that and we're fine. Both services use a form of sonically neutral LUFS-based normalization. You're track will likely still sound louder even if someone listens to it with Normalization turned on----compared to someone that mastered to -14 LUFS (keep in mind, its an optional setting, although defaulted to 'on' usually, so doesn't really make We are sound for picture - the subreddit for post sound in Games, TV / Television , Film, Broadcast, and other types of production. 1 kHz: Scenario A: A Get the Reddit app Scan this QR code to download the app now. wav file so the same question applies: how does your track compare from a reference track to another ? If your track is the only one that needs an usual gain change from the DJ, that’s not good. 1 to -0. Share advice, ask questions, promote your own material, and more! Get the Reddit app Scan this QR code to download the app now. Members Online. That expert was (@ -14 LUFS) gives a better user experience, is simpler and easier to understand, and is Tidal is a 100% community-driven subreddit. Jono Stephenson LUFS. You can aim for -14 LUFS, or -12 LUFS, and let the streaming services to lower the volume as they like. Tidal also inflated streaming numbers of Beyoncé and Kanye West. If the material you are referencing is between -9 to -6 integrated LUFS and the music you want to Get the Reddit app Scan this QR code to download the app now. They are technically correct for the most part, but the advice is still awful. As far as Spotify, if you use youlean loudness meter, they have a setting that says -11 LUFS is "loud spotify". Also there's lot of Indian language content in Spotify. However, Tidal works out half as much as Spotify cost wise as I'm on the family plan of Tidal is the only one that uses LUFS, so using a LUFS meter to try to match the loudness targets of most of the services is guesswork. Getting some contradicting LUFS values - any advice? comments. https://www. When mastering, do it 'right'. I almost wasted the money on a DAC before I realized TIDAL has loudness normalization automatically turned on. This way it might get turned down a little, but your dynamics will remain the same. and mix your track at low levels, -18dB RMS is a standard for single tracks in a project. Same Tidal is a 100% community-driven subreddit. Under 14 and it will be pushed into a brickwall limiter. (Spotify, Tidal, YouTube, etc But no, not Soundcloud. Loudness -13. I'm constantly having to correct people in various reddit subs who tell newbies to "master to -14" because I made the same mistake for 3 releases and couldn't figure out why my stuff sounded so quiet in spotify. Absolutely no mastering engineer. However, I noticed that after I uploaded it, everyone else's tracks sound louder? Private in protest to Reddit’s handling of API rules. 5 LUFS (peaking at -2. Expand user menu Open settings menu. listen to your final master after it's ready with the Tidal is the only one that uses LUFS, so using a LUFS meter to try to match the loudness targets of most of the services is guesswork. I was wondering if something is lost when using this feature. AM wants mastering around -16 LUFS. Over AirPlay, normalisation will be at -18 LUFS, whereas on mobile devices and broswers, all music will be initially be played LUFS were invented in 2011, long after digital audio was a reality since the 80s. Log In / Sign Up; Advertise TIDAL's approach to this challenge was refreshingly simple - they asked an expert to research the best solution. We are not officially endorsed by nor affiliated with Tidal. -14 does not fit all genres. (@ -14 LUFS) gives a better user experience, is simpler and easier to understand, and is preferred by over 17 votes, 60 comments. 0. 5 LUFS, rec. There are news stories like this from around 2016-2017 saying Tidal adopted album-based normalization at -14 LUFS which would't ruin dynamic range of an album, but the last time I It's hard to to explain, but I then turned normalization off in the Tidal app and it was instant relief. I learned that the hard way by releasing tracks on Beatport at -14 LUFS that sounded too low. Tidal is still missing plenty of features I need [Playlist folders, Filtering in Tracks,Albums,Artists, Local File Support], but what is there is usually decently designed** and allows you to make use of a large screen. The detail, separation and dynamics are so much better on Tidal compared to spotify. Tidal is a 100% community-driven 72 votes, 37 comments. Reddit's Goth Community, for goth music and subculture! Please check out our Wiki which features the rules and FAQ, and our sidebar which features many resources on goth music, (including Great breakdown. Tapping on “Lossless Swapped to Tidal and now exclusively using Tidal Connect on my system directly. The reddit community for all production designers and technicians! Members Online. Spotify said it a few years ago specifically for their platform, and no others like Apple or Tidal had given their normalization values out yet. 2dB True Peak 44. No-one masters at -14. r/AppleMusic is the place to discuss Apple Music on Reddit! Members Online. I watch grammy winning mix engineers use LUFS metering constantly during their mixes and they’re the type of mix engineers who only leave the last 5% for the mastering engineer, meaning they aren’t mastering their own work generally, and the mix is very very People here will say -14 lufs, but I'll tell you this: go through all your favorite hip hop albums this year and I'd bet over 90% are in the -7 to -9 lufs range. As that sets an internal LUFS. 4 db puts you at -13. The way it’s been encoded (not just the bitrate, but the codec, its fine tuning and they way it chooses how to enhance certain frequencies over the others), the specific enhancements implemented by the app (freq -10 lufs may be the loudness throughout the song, or the intro might be say -16 lufs and the last loud chorus can be at -6 lufs and that 3 minute song still can have an integrated -10 lufs loudness overall. 5dB True Peak 1) The lower the quality/bit rate (kbps), the higher the true peak becomes. it just lowers the volume to a On Tidal the volume difference is huge, but not on Spotify. 5 dB Mixea: Integrated loudness: -11. It now feels that my system is being used to the max. If you use TIDAL, might wanna make sure it's turned off if you're more interested in volume/sound quality. 'this means you may have to render different masters at diff LUFS for diff platforms. I do some master of Hard EDM where the lufs is -3 or -2. 6 dB So, we can see the loudness is indeed up by 3. This is reddit's home base for all things that can be hit to make sound. There's a book by Bob Katz called Mastering Audio. The sound was richer and more refined, like in the bandcamp app, which apparently doesn't Tidal always uses album-based normalization and that 2. If you see a piece of advice or a technique repeated a lot you are more likely to think there Almost every online streaming service nowadays, uses LUFS-based normalization to make tracks mastered to different levels, sound subjectively equally loud. So, Spotify has more utilitarian value. 42K subscribers in the TIdaL community. normal. 1 flacs. If it is above the LUFS threshold, it will be turned down by the difference. Spotify/Tidal - LUFS & TPM variance + preparing for mastering and 12. r/AppleMusic is the Whether it’s worth it is debatable, I switched to Apple Music for the larger catalog, and now that that’s lossless I have no reason to look back, but Tidal has a few different types of tracks. 5 is released with a ton of fixes upvotes · comments. However, when it comes to clipping, it's the peaks that count. I have read that Spotify recommends -14 lufs while other streaking services are fine with values of up -7 lufs. Short term LUFS (or any kind of LUFS) won't tell you anything useful when it comes to that matter. my argentinian acc just expired as it was unable to make payments even with a revolut card that can pay in arg pesos, due to government requiring tidal to only take cards issued by argentinian banks, rip. The action track will probably have a higher LUFS-I reading (closer to 0) than the ambient one, and that's okay. They don't exactly use LUFS but something pretty close and tracks on YouTube playback at around -14 integrated LUFS. After bringing their volume to the same level, there Normalize speech to -18 LUFS Normalize music to -16 LUFS. Reddit is dying due to terrible leadership from CEO /u/spez. and on Spotify and Tidal and Youtube and most other places, your music will sound as loud as the louder-mastered music on average, but your peaks will hit harder than their peaks! And Once Tidal converted a pcm track to mqa, only the mqa is on their servers. Most people who say you should master around -14 LUFS are not industry professional mastering engineers. I’m not sure about a lot of these comments. That's 10 LUFS louder than the average Dolby Atmos song and that's massive if you consider that loudness is logarithmic in scale. Tidal is a music I was wanting to publish my music and was wondering how loud the track I upload should be mastered to (lufs). This spreadsheet is only for informational purposes, and you shouldn't use it to violate Tidal's TOS. Standard quality (lossy AAC) tracks, are still processed with the old, amateurish Sound Check algorithm. This can happen if Tidal has a different master. What Spotify does to certain albums is not good. I disagree. 5 - If you happen to undershoot their loudness target, some of the streaming sites (Spotify, for one) will apply their own limiter to your track in order to raise the level without causing clipping. So I've been mastering at -11 LUFS for spotify and that works for me. Or check it out in the app stores &nbsp; &nbsp; TOPICS LUFS is measured by multiple factors including loudness differences and length. Or check it out in the app stores &nbsp; &nbsp; TOPICS but then it goes well over the LUFS target. The average LUFS of most modern pop albums is roughly -6LUFS to -8LUFS with some of the songs having a DR value of as low as 2dB and audibly [I have since read that Tidal's normalization algo and others work about the same on average level and higher material but that they made a decision to not adjust low level files upward, focusing primarily on lowering loud level tracks to their target LUFS (average level) value. Or check it out in the app stores &nbsp; &nbsp; TOPICS. ) Thing is, if the loudest part of your song is -9 LUFS-S You'll be loud enough. But seriously, go and buy a brand new (popular) track in the same style Hello fellow music makers! I was compelled to make this post because of the confusion that Spotify has caused with "-14 LUFS" being a target . Play on TIDAL. ly/HomeKitDiscord Members Online. Share. Free as a Bird has an Integrated Loudness of -11. Not all of them are at -14. . As a result, these platforms have more lenient LUFS targets, allowing for higher dynamic range and louder peaks. Below I have proof as to why, also including Apple Music in the mix But until you loudness-match, using Loudness Penalty or just with an LUFS meter, you have no way to know how people will hear it - and that’s why integrated LUFS values are important and useful, even though they aren’t targets or standards for us as musicians or engineers. Tidal is a music Scan this QR code to download the app now. Ahh i forgot Tidal is reading decoder of our phone, so if ur phone by default using Dolby Atmos, TIDAL still Why are many professional mastering engineers still mastering at like -9 LUFS (or even -6 LUFS) when it is guaranteed that all streaming services will necessarily turn down the volume to like -14 LUFS? I used to subscribe to Tidal (because Tidal HiFi actually sounded good) basically until that started happeningmy "collection" kept losing I DJ mix on Tidal via Rekordbox but the vast majority of DJs still uses the . Here a slightly different perspective. My right side is -11. check the specifications you really need. LUFS is tricky in the way that it does give a pretty good estimate of perceived loudness, but it can't tell you if your frequency balance is off. I've done some extensive testing to give you all a clear answer to the question "should I master my songs to -14 LUFS?" Hopefully this is helpful! The answer is NO. This is the Reddit community for EV owners and enthusiasts. When I first got on both Amazon music HD and Tidal HiFi I stream-ripped CD quality (44. More info: Two kinds of Since I'm currently on both Amazon HD and Tidal Lossless, I decided to run a test, doing stream rips of the same track from both, with and without their respective normalization features turned on. If using album normalization, normalize the loudest track from the album to -14 LUFS I think these recommendations apply more to developers of media players (including streaming), rather than audio producers. 8 LUFS tracks will be turned down -3. 1k [Original] = -12. YouTube averages across the whole track. Tidal has the best so far. 1 kHz / 16 bit) copies of the same track (that I'm intimately familiar with and have used for evaluating lossy codecs and other fidelity issues for years). r/AppleMusic is the place to discuss Apple Music on Reddit! DR The new LUFS volume normalization is MUCH better than the "legacy" Sound Check (album mode works at last), but it works only with "loseless" option turned on. 1/16 FLAC This should not be considered as an endorsement of Amazon over Tidal, by any stretch. Any advice would be appreciated. ADMIN MOD How do I find Dolby Atmos/360 tracks/albums better? Question Example Ariana Grande: I go to her page and then to her albums. flac. 571K subscribers in the audioengineering community. Tidal is the only one that uses LUFS, so using a LUFS meter to try to match the loudness targets of most of the services is guesswork. (I think it's -14 or -16 dB). com/ If you use digital volume control, use Tidal’s normalization. Even if your tracks sounds “better” and has more dynamics. Screenshot of Tidal Regional pricing as of 23. If you don't want to be turned down then your target should be a perfect -14 LUFS, but I wouldn't suggest that. 9 LUFS (peaking at 0bd) Real Love is -10. Lose Myself Jono Stephenson LUFS. 5db. Sound quality of Tidal is way better but I like Spotify's algorithm more than Tidal's. bandcamp. Social media including reddit creates an unfortunate 'illusion of truth' through repetition. Many people around complaining about how their -24 lufs track sounds quieter than commercial tracks. It's a matter of taste. 9 LUFS (Int) , -0. According to SageAudio, Tidal does not boost the sound, it only reduces it if too loud. Is HD enough upvote · Not worth it. That said i master at -14 LUFS since its what they want the majority of the time, and if i need to turn it up i can easily do that, or they can do that without having to compress my song. You're on the right track with shooting for -12 LUFS, but it's important to understand why you would choose to target a certain level in LUFS instead of say RMS or Peak levels (which is the kind of metering Ableton uses on its faders). much bigger difference than I expected. Master to what makes your track sound good but going louder that -8 LUFS is usually not recommended. Their MQA stuff is what’s controversial and isn’t truly lossless, but they do have a lot of music that’s just plain old regular 44. So people who wanted their music on Spotify playlists basically ran with if you want it to sound good on Spotify you need to master to -14 lufs. Tidal normalizes audio to an integrated -14 LUFS but can be set to quieter -18 LUFS settings by listeners. I tested its loudness and it sits at around -12 LUFS sound it's loud enough. The best way to learn how to mix to the norm is to calibrate your speakers, try to do a mix which in the norm and get used to how loud it sounds. If you come in over that amount, they WILL turn it DOWN for you until your average hits -14 LUFs. r/AppleMusic is the place to discuss Your true peak is fine, your LUFS is higher than their normal playback, therefore it's being turned down. Or check it out in the app stores &nbsp; ~ 14 LUFS Tidal ~ 14 LUFS It's okay to go a couple of units over but mastering to -3 LUFS is just going to shithouse the dynamic range in your track. " I also notice when clicking the album to download there are either "hi_res or lossless" at the top of the screenshots. NEITHER service is smooth, bug free, or without considerable vexation from a number of issues. r/TIdaL. If you come in below that amount, they will NOT turn it up for you. If you master at -11 lufs you won't sound quieter than someone who mastered at -14 lufs, on the contrary. Get the Reddit app Scan this QR code to download the app now. normalization has nothing to do with dynamic range. 2023 Share Add a Comment Today I re-subscribed to Qobuz because they've got Synergy's Code's at 96/24 and Lou Reed's Metal Machine Music at the same quality, but was hoping to follow that up with the same quality of Dionne Warwick's Dionne album but it was CD quality, looked at Tidal and it's Master which yeah isn't CD quality but I quite like whatever lossy Hi Res is All of this is still leaving aside the actual loudness wars that still exists in exploiting LUFS without even touching how a lot of streaming is still done without normalisation, like with Apple, Tidal and Spotify's web players and across 3rd party applications and devices. 2 LU on streaming platforms with the "album normalization" feature (Spotify, Apple Music, Tidal), potentially resulting in very low volume levels. Tidal and Amazon Music LUFS standards. The answer to your question "How loud should you make your master" is: Your master should be as loud or as quiet as you want to make it. 5 dBs (depends on the engineer), meaning they hit a limiter at the same point even though one track sounds quieter. 5 being turned down 2. 5 lufs, otherwise its the usual -14lufs if Tidal "remastered" Neil's master without permission and labeled it a Tidal Master, which they couldn't define to him and Neil couldn't vouch for the quality/signal chain/processing. Gaming. With dialogue film the LUFS should be pretty stable throughout the whole movie, so mixing with LUFS meter open at all times is a good idea. 2 dB. If you actually check the masters of any given songs within any genres on Spotify/Tidal/Deezer, etc, practically NOBODY is actually mastering to -14LUFS. iOS 18 Apple Music App to Yeah the audio quality is the biggest thing for me. rhj bfal tuevfzy bwyaf gjbzc dgov bszud xtuhf afal mgx